| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
| Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
| Quinn, Kate; Baines, Daniel |
Awesome metalcore therapy: using heavy metal music in therapeutic work with voices |
2021 |
The Practical Handbook of Hearing Voices: Therapeutic and creative approaches |
|
|
| Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
| Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
| Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
| Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
| Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
| Sackl-Sharif, Susanne |
The dark side of blogging: Digital metal communities and metal influencers |
2021 |
Metal Music Studies |
7 |
237-255 |
| Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
