|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
|
|
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
|
|
Friconnet, Guillaume |
Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features |
2022 |
Metal Music Studies |
8 |
183-203 |
|
|
Watier, Nicholas |
Threat cues in metal's visual code |
2022 |
Metal Music Studies |
8 |
205-223 |
|
|
Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
|
|
Vrzal, Miroslav |
Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia |
2022 |
Metal Music Studies |
8 |
245-268 |
|
|
Zapata, Alex |
Primer ataque sonoro-visual: Apropiación del metal en Santiago de Chile (1982-1993) |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
8-9 |
|
|
Rivero-Vadillo, Alejandro |
Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics |
2022 |
Ecozon@ |
13 |
106-124 |
|
|
Rapatskaya, Yanina Olegovna |
“ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde] |
2022 |
Артикульт [Articult] |
2 |
44-66 |
|
|
Kosek, Jakub (ed) |
Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives] |
2022 |
|
|
|
|