| Records |
| Author |
Kennedy, Lewis |
| Title |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
Type |
Book Chapter |
Year  |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Issue |
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Pages |
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| Keywords |
UK scene; Hull; Sociology |
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| Publisher |
Intellect Books |
Place of Publication |
Bristol |
Editor |
Bardine, Bryan A.; Stueart, Jerome |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2198 |
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| Author |
Roby, David Allen |
| Title |
Crust Punk: An Anarchist Political Epistemology |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
204 |
| Keywords |
Affect; Anarchism; Clothing; Cultural anthropology; Crust punk; Heavy Metal Music; Political science; Punk rock music; Reggae; Tattoos; Transiency |
| Abstract |
The Sex Pistols’ 1976 anthem, “Anarchy in the UK,” memorialized an ongoing relationship between anarchism and punk rock music. Although scholars of punk music have long documented the relationship between leftist or progressive politics in punk music scenes, they have not interrogated the content and sources of anarchist politics, often taking for granted the relationship between anarchism and punk. This dissertation examines the anarchist politics of a particular genre of punk, called “crust punk,” which is a blend of punk and heavy metal. Like most music subcultures, the crust punk scene is much more than musical sounds; it is associated with a particular lifestyle as well. Crust punks’ choices to drop out of society and live in squats or on the streets, I argue, are political. This dissertation combines ethnomusicological methods with a field of study called “political epistemology” from political science that seeks to understand the origins and composition of political ideas. I combine these two approaches to examine crust punk political ideas: where they come from, how they are shared within the scene, and in what ways they can be considered “anarchist.” I conclude that crust punk represents a form of what I theorize as “vernacular anarchism” that arises from precarious forms of existence, is formulated in everyday life experiences, and is given substance through affective and emotional responses to the poetics of crust punk song texts. |
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Thesis |
Ph.D. thesis |
| Publisher |
University of California, Davis |
Place of Publication |
Ann Arbor |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2199 |
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| Author |
Pichler, Peter |
| Title |
„Breaking the Law…!?“ Zur Rolle von Recht und Rechtsbezug in der Kulturgeschichte der steirischen Heavy Metal-Szene seit 1980 |
Type |
Journal Article |
| Year |
2021 |
Publication |
Graz Law Working Paper |
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Pages |
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| Keywords |
Law; Austria; Sociology |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2231 |
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| Author |
Swiniartzki, Marco |
| Title |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
Type |
Journal Article |
| Year |
2021 |
Publication |
Archiv für Sozialgeschichte |
Abbreviated Journal |
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| Volume |
61 |
Issue |
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Pages |
445-472 |
| Keywords |
Sociology; Black Metal; Aesthetics; Self-Fashioning |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2232 |
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| Author |
Jordan, James Boddington |
| Title |
Harmonic Structures of 21st Century Heavy Metal |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Issue |
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Pages |
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| Keywords |
Musicology; Harmony |
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Thesis |
Master's thesis |
| Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
Editor |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2233 |
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| Author |
Pascuchelli, María Natalia; Vidal Vargas, Pablo |
| Title |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
Type |
Journal Article |
| Year |
2021 |
Publication |
El oído pensante |
Abbreviated Journal |
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| Volume |
9 |
Issue |
2 |
Pages |
252-278 |
| Keywords |
Latin America; Argentina; Metal Studies |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2234 |
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| Author |
Marstal, Henrik |
| Title |
Mercyful Fate's “Don't Break the Oath” |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Issue |
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Pages |
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| Keywords |
Mercyful Fate (band); Periphery; Vocals |
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| Publisher |
Bloomsbury |
Place of Publication |
New York |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2235 |
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| Author |
Radovanović, Bojana |
| Title |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
Abbreviated Journal |
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Issue |
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Pages |
97-110 |
| Keywords |
Metal Studies; Musicology |
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| Publisher |
Institute of Musicology SASA |
Place of Publication |
Belgrade |
Editor |
Radovanović, Bojana; Bralović, Miloš; Radivojević, Maja; Mihajlović, Danka Lajić; Medić, Ivana |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2236 |
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| Author |
Swist, Jeremy J. |
| Title |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
Type |
Book Chapter |
| Year |
2021 |
Publication |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
Abbreviated Journal |
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Issue |
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Pages |
200-229 |
| Keywords |
Byzantine Empire; History |
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Thesis |
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| Publisher |
İstanbul Araştırmaları Enstitüsü Yayınları |
Place of Publication |
Istanbul |
Editor |
Künyeleri, Eser |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2237 |
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| Author |
Pérez Pelayo, Marisol |
| Title |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
Type |
Journal Article |
| Year |
2021 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
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| Volume |
1 |
Issue |
2 |
Pages |
7-18 |
| Keywords |
Cemican (band); Symbolism; Cultural anthropology |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2238 |
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