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| Author | Forshaw, Juliet | ||||
| Title | Metal in Three Modes of Enmity: Political, Musical, Cosmic | Type | Journal Article | ||
Year  |
2011 | Publication | Current Musicology | Abbreviated Journal | |
| Volume | 91 | Issue | Pages | 139-160 | |
| Keywords | Book reviews | ||||
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| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2308 | ||
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| Author | Pascuchelli, María Natalia | ||||
| Title | Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. | Type | Journal Article | ||
| Year |
2012 | Publication | Revista Lindes: Estudios Sociales del Arte y la Cultura | Abbreviated Journal | |
| Volume | Octubre | Issue | 3 | Pages | 17 |
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| Abstract | A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. | ||||
| Address | https://www.revistalindes.com.ar/indice.html | ||||
| Corporate Author | Thesis | ||||
| Publisher | Place of Publication | Ciudad Autónoma de Buenos Aires, República Argentina | Editor | ||
| Language | Spanish | Summary Language | Spanish | Original Title | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1853-5798 | ISBN | Medium | ||
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| Notes | María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2292 | ||
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| Author | Varas-Díaz, Nelson | ||||
| Title | El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante | Type | Book Chapter | ||
| Year |
2012 | Publication | Registros criminológicos contemporáneos | Abbreviated Journal | |
| Volume | Issue | Pages | 207-240 | ||
| Keywords | Sociology | ||||
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| Publisher | SITUM | Place of Publication | San Juan | Editor | Serrano, Sonia |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2328 | ||
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| Author | Kotila, Sanna | ||||
| Title | Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics | Type | Book Whole | ||
| Year |
2012 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics | ||||
| Abstract | << Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen. Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan. Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta. Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
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| Address | Finnish: Vaasan yliopisto; Swedish: Vasa universitet | ||||
| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Vaasa | Place of Publication | Vaasa, Finland | Editor | Mäntymäki, Tiina (Supervisor) |
| Language | English | Summary Language | Finnish | Original Title | |
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| Notes | Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2522 | ||
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| Author | Yepes Aguirre, Jimmy Renzo | ||||
| Title | Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 | Type | Journal Article | ||
| Year |
2013 | Publication | Investigaciones Sociales | Abbreviated Journal | |
| Volume | 17 | Issue | 30 | Pages | 279-290 |
| Keywords | Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú | ||||
| Abstract | Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. | ||||
| Address | https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales | Place of Publication | Lima, República del Perú | Editor | |
| Language | Summary Language | Original Title | |||
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| ISSN | Print: 1560-9073 / Online: 1818-4758 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2284 | ||
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| Author | Piper, Jonathan | ||||
| Title | Locating Experiential Richness in Doom Metal | Type | Book Whole | ||
| Year |
2013 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Doom Metal; Experience; Aesthetics | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | University of California, San Diego | Place of Publication | San Diego | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2329 | ||
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| Author | Baltazar, Lídia Maria Ferrão | ||||
| Title | Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands | Type | Book Whole | ||
| Year |
2013 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 216 | ||
| Keywords | Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity | ||||
| Abstract | “The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever? The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.” (Source: ProQuest Dissertations Publishing) Ciências Sociais e Humanas (Social Sciences and Humanities). |
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| Address | |||||
| Corporate Author | Thesis | Doctoral thesis | |||
| Publisher | Universidade da Beira Interior | Place of Publication | Covilhã, Portugal | Editor | Anabela Dinis |
| Language | English | Summary Language | Portuguese | Original Title | |
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| Notes | ProQuest order number 28761469 | Approved | yes | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2517 | ||
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| Author | Mynett, Mark | ||||
| Title | Contemporary Metal Music Production | Type | Book Whole | ||
| Year |
2013 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Music Production | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | University of Huddersfield | Place of Publication | Huddersfield | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2580 | ||
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| Author | Johnson, Henry | ||||
| Title | Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) | Type | Journal Article | ||
| Year |
2014 | Publication | Island Studies Journal | Abbreviated Journal | |
| Volume | 9 | Issue | 1 | Pages | 176-178 |
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| Publisher | Institute of Island Studies, University of Prince Edward Island | Place of Publication | Canada | Editor | |
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| Notes | Open Access | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2229 | ||
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| Author | Marjenin, Peter A. | ||||
| Title | The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani | Type | Book Whole | ||
| Year |
2014 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Korpiklaani (band); Nationalism; Folk Metal | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | Kent State University | Place of Publication | Kent | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2259 | ||
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