|
Gardenour Walter, B. S. (2019). Satanic Bowels: Medieval Inversion and the Black Metal Grotesque. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 171–180). London: Emerald.
|
|
Hoad, C. (Ed.). (2019). Australian Metal Music. London: Emerald.
|
|
Hoad, C. (2019). Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? In C. Hoad (Ed.), Australian Metal Music (pp. 1–18). London: Emerald.
|
|
Oldham, P. ’N. ’. (2019). Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s. In C. Hoad (Ed.), Australian Metal Music (pp. 19–36). London: Emerald.
|
|
Vallen, S. (2019). ’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage. In C. Hoad (Ed.), Australian Metal Music (pp. 37–54). London: Emerald.
|
|
Whitting, S., Klimentou, P., & Rogers, I. (2019). ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive. In C. Hoad (Ed.), Australian Metal Music (pp. 55–70). London: Emerald.
|
|
Overell, R. (2019). ‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others. In C. Hoad (Ed.), Australian Metal Music (pp. 71–90). London: Emerald.
|
|
Glitsos, L. (2019). Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime. In C. Hoad (Ed.), Australian Metal Music (pp. 91–110). London: Emerald.
|
|
Yalcinkaya, C., & Ahmed, S. (2019). Creeping Sharia: An Extreme Response to Islamophobia. In C. Hoad (Ed.), Australian Metal Music (pp. 111–128). London: Emerald.
|
|
Collinson, I. (2019). ‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal. In C. Hoad (Ed.), Australian Metal Music (pp. 129–144). London: Emerald.
|
