Author |
Title |
Year ![sorted by Year field, descending order (down)](img/sort_desc.gif) |
Publication |
Volume |
Pages |
Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
Whalen, Kayley Margarite |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
162-178 |
Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
Weber, Joe |
Ronnie James Dio: the man on the silver mountain |
2024 |
Journal of Maps |
20 |
2349164 |
Mustamo, Aila |
Symboleita, pahiksia ja rappiota: Kansallissosialismin ristiriitainen lumo suomalaisessa black metalissa [Symbols, villains and decadence: The contradictory enchantment of National Socialism in Finnish black metal] |
2024 |
KULTTUURINTUTKIMUS |
41 |
23-40 |
Scheller, Jörg |
Between the Laws: Researching the Aesthetics of Heavy Metal |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
119-134 |
Hiebaum, Christian |
Law and Its Cultural Representations (With a Focus on Heavy Metal Studies) |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
11-28 |