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Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
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Kotila, Sanna |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
2012 |
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Walsh, Ashley |
“A great heathen fist from the North”: Vikings, Norse Mythology, and Medievalism in Nordic Extreme Metal Music |
2013 |
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Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
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|
Calvo, Manuela |
Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte |
2014 |
Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística |
|
120-137 |
|
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Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
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122-130 |
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Pack, Christian |
Salvadoran Metal and the Questioning of National Identity |
2015 |
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Stoop, David Christopher |
Germanen, Trolle und Nazis. Thematisierungen des Nationalen im Heavy Metal |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
33-48 |
|
|
|
Barone, Stefano |
Metal Identities In Tunisia: Locality, Islam, Revolution |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
185-194 |
|
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Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
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