| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Lidauer, Rainer |
Extreme Metal |
2011 |
|
|
|
| Chaney, Damien; Petite, Antoine; Chaney, Ludovic (eds) |
État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co |
2011 |
|
|
|
| Dairianathan, Eugene |
The Burden of Song: Vedic Metal in Singapore |
2012 |
Journal of Creative Communications |
7 |
243-260 |
| Walsh, Ashley |
“A great heathen fist from the North”: Vikings, Norse Mythology, and Medievalism in Nordic Extreme Metal Music |
2013 |
|
|
|
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
| Phillipov, Michelle; Olson, Benjamin Hedge |
Extreme music for extreme people? Norwegian black metal and transcendent violence |
2013 |
Heavy metal: controversies and countercultures |
|
152-165 |
| Allett, Nicola |
The extreme metal ‘connoisseur’ |
2013 |
Heavy metal: controversies and countercultures |
|
166-181 |
| Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
| Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
