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| Author | Yépez Aguirre, Jimmy Renzo | ||||
| Title | Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 | Type | Journal Article | ||
Year  |
2017 | Publication | Anales Científicos | Abbreviated Journal | |
| Volume | 78 | Issue | 2 | Pages | 80-91 |
| Keywords | Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society | ||||
| Abstract | This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. | ||||
| Address | https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Universidad Nacional Agraria La Molina, Lima - Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | English | Original Title | |
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| ISSN | Print: 0255-0407 / Online: 2519-7398 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2283 | ||
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| Author | Angeler, David | ||||
| Title | Heavy Metal Music Meets Complexity and Sustainability Science | Type | Journal Article | ||
| Year |
2017 | Publication | SpringerPlus | Abbreviated Journal | |
| Volume | 5 | Issue | Pages | 1-20 | |
| Keywords | Sustainability | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2334 | ||
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| Author | Khalil, Lucas Martins Gama (UNIR) | ||||
| Title | A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. | Type | Journal Article | ||
| Year |
2017 | Publication | Miguilim: Revista Eletrônica do Netlli. | Abbreviated Journal | |
| Volume | 6 | Issue | 2 | Pages | 198-218 |
| Keywords | Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal. | ||||
| Abstract | O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural. | ||||
| Address | http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. | Place of Publication | http://periodicos.urca.br/ojs/index.php/MigREN | Editor | |
| Language | español | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2317-0433 | ISBN | Medium | PDF (no longer available) | |
| Area | Expedition | Conference | |||
| Notes | Open access: https://creativecommons.org/licenses/by/3.0/ | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2402 | ||
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| Author | Herrera Díaz, Francisco Augusto | ||||
| Title | Metal colombiano: los sonidos de un país en guerra | Type | Book Whole | ||
| Year |
2017 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Colombia; Music History; War; Semiotics | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Pontificia Universidad Javeriana | Place of Publication | Bogotá | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2472 | ||
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| Author | Fejes, János | ||||
| Title | Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music | Type | Journal Article | ||
| Year |
2017 | Publication | Acta Universitatis Sapientiae, Communicatio | Abbreviated Journal | |
| Volume | 4 | Issue | Pages | 37-60 | |
| Keywords | Extreme metal; Reception Studies; Mythology | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2493 | ||
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| Author | Andrew Klein | ||||
| Title | Blood, Frets and Tears | Type | Miscellaneous | ||
| Year |
2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 1'15" | ||
| Keywords | Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X | ||||
| Abstract | “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) / Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story); Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). |
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2272 | ||
| Permanent link to this record | |||||
| Author | Heesch, Florian | ||||
| Title | Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) | Type | Journal Article | ||
| Year |
2018 | Publication | Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines | Abbreviated Journal | |
| Volume | 11 | Issue | Pages | 1-18 | |
| Keywords | Aggression, Death metal, Gender and music, Vocal practice, vocal sound | ||||
| Abstract | Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence. - Résumé: Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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| Address | https://journals.openedition.org/ | ||||
| Corporate Author | Thesis | ||||
| Publisher | OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) | Place of Publication | Marseille, France | Editor | |
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2108-6907 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2320 | ||
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| Author | Guibert, Gérôme | ||||
| Title | Marche ou crève: The band Trust and the singular case of the birth of French heavy metal | Type | Book Chapter | ||
| Year |
2018 | Publication | Made in France: Studies in Popular Music | Abbreviated Journal | |
| Volume | Issue | Pages | 296 | ||
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| Abstract | Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. | ||||
| Address | 711 Third Avenue, New York, NY 10017 | ||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | New York, NY | Editor | Gérôme Guibert, Catherine Rudent |
| Language | English | Summary Language | Original Title | ||
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| ISSN | ISBN | 978-1-138-79304 (hbk), 978-1-315-76161 (ebk) | Medium | ||
| Area | Expedition | Conference | |||
| Notes | paperback, hardback, eBook | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2470 | ||
| Permanent link to this record | |||||
| Author | Stricker, Jake A. | ||||
| Title | Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal | Type | Book Whole | ||
| Year |
2018 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Heroism; Opera; Singing | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Miami | Place of Publication | Coral Gables | Editor | |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2492 | ||
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| Author | Guberman, Daniel | ||||
| Title | Massive Scar Era, Heavy Metal, and Two Tyrannies | Type | Book Chapter | ||
| Year |
2018 | Publication | Tyrannny and Music | Abbreviated Journal | |
| Volume | Issue | Pages | 183-198 | ||
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| Publisher | Lexington Books | Place of Publication | New York | Editor | Joseph E. Morgan; Gregory N. Reish |
| Language | English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9781498546812 (hardback); 9781498546829 (eBook) | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2513 | ||
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