| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Gracyk, Theodore |
Heavy Metal: Genre? Style? Subculture? |
2016 |
Philosophy Compass |
11 |
775-785 |
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Castillo Bernal, Stephen |
El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. |
2016 |
Atlas Etnográfico de los Mundos Contemporáneos |
1 |
83-117 |
| Castillo Bernal, Stephen |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
2016 |
Dimensión Antropológica |
66 |
117-148 |
| Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
| Coggins, Owen; Harris, James (eds) |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
2017 |
|
|
|
| Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
| Coggins, Owen |
A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy |
2017 |
Urban Monstrosities: Perversity and Upheaval in the Unreal City |
|
108-127 |
| Coggins, Owen; Harris, James |
Circular scaffold |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
6-9 |
| Blake, Charlie |
Dronoclasm or the swarming of angels in endless night |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
10-14 |
