| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Vasan, Sonia |
Gender and Power in the Death Metal Scene: A Social Exchange Perspective |
2016 |
Global metal music and culture: current directions in metal studies |
|
261-276 |
| St-Laurent, Méi-Ra |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
2016 |
Metal Music Studies |
2 |
87-108 |
| Unger, Matthew |
Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music |
2016 |
|
|
|
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Radovanović, Bojana |
Ideologies and Discourses: Extreme Narratives in Extreme Metal Music |
2016 |
AM Journal of Art and Media Studies |
10 |
51-58 |
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
| Netherton, Jason |
The entrepreneurial imperative: Recording artists in extreme metal music proto-markets |
2017 |
Metal Music Studies |
3 |
369-386 |
| Hoad, Catherine; Whiting, Samuel |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal |
2017 |
M/C Journal |
20 |
n..p. |
