Author |
Title |
Year |
Publication |
Volume |
Pages |
Hofmann, Alexander |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
2020 |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
15 |
73-91 |
Thomson, Andrew |
Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music |
2020 |
|
|
|
Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
7-36 |
Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
Sánchez Mondaca, Maximiliano |
Dictatorship and Metal in Chile: A Causal Relationship? |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
61-80 |
Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
López Ramírez Gastón, José Ignacio |
Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
107-130 |
Fernández Lozano, Miriela |
The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017 |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
133-160 |
Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |