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Ndoja, D. (2019). German National Socialist Black Metal: Contemporary Neo–Nazism and the Ongoing Struggle with Antisemitism. In “Mister Gorbachev, tear down this wall!” Socio-economic and Political Consequences 30 Years After. History of Communism in Europe, 10. ZETA Books.
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Burns, L. (2019). Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus. In L. Burns, & S. Hawkins (Eds.), The Bloomsbury Handbook to Popular Music Video Analysis (pp. 183–200). Bloomsbury Academic.
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Silva, M. A. dos S., Machado, J., & Gutfreind, C. (2019). Associação Nacional dos Programas de Pós-Graduação em Comunicação XXVIII Encontro Anual da Compós, Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre – RS, 11 a 14 de junho de 2019 1 www.compos.org.br www.compos.org.br/anais_encontros.php O oposto da destruição?: Death Metal Angola e a negociação com imaginários midiáticos das produções culturais angolanas [The opposite of destruction?: Death Metal Angola and the negotiation with media imaginaries of Angolan Cultural productions]. In XXVIII Encontro Anual da Compós, Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre – RS, 11 a 14 de junho de 2019.
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Beach, J. R., Naron, B. L., Sutton, J. D., & Tolin, J. (2019). Rusted Metal: A Guide To Heavy Metal and Hard Rock Music in the Pacific Northwest (1970 – 1995).. Puyallup, WA: NW Metalworx Music.
Abstract: "DESCRIPTION: RUSTED METAL is a definitive guide to Heavy Metal and Hard Rock music in the Pacific Northwest (Oregon, Washington, Idaho and Vancouver BC) from 1970 to 1995 by local authors and music fans James R. Beach, Brian L. Naron, James D. Sutton and James Tolin. Featuring a comprehensive guide to the bands, clubs, music and more (including interviews with members of:
Metal Church, Heart, Rail, TKO, Culprit, Sanctuary, Black N' Blue, Wild Dogs, Pearl Jam, Q5, Heir Apparent, Shadow, Overlord, Panic, Malice, Glacier, Coven, Cruella, Forced Entry, Whizkey Stik, High Voltage, Widow, Wehrmacht, Gargoyle, Lipstick and many others – around 100 brand new interviews in all!). Features over 500 band bios, discography, concert listings, tons of photos, flyers, covers, merchandise, etc. as well. Large, oversized Trade Paperback book."
(source: https://nwmetalworxmusic.com/)
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Flores Delgado, M. A. (2019). Rebelión en la Guarida. El legado cultural del movimiento musical del metal en Mérida: Un aporte etnohistórico. Presente y Pasado – Revista de Historia, 47, 109–131.
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Pruitt, C. (2019). Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel. The Journal of Public and Professional SociologyThe Journal of Public and Professional Sociology, 11(2).
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
Abstract: Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover.
Keywords: Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath.
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Rodríguez, P. (2020). Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. R-ZINE, 1. Retrieved July 8, 2024, from https://drive.google.com/file/d/1Pw73lpTZqLE7B1WjjjsmRvn71F--Lk4Q/view
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Viteri, J. P. (2020). DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. R-ZINE, 1. Retrieved July 8, 2024, from https://drive.google.com/file/d/1Pw73lpTZqLE7B1WjjjsmRvn71F--Lk4Q/view
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López Ramírez Gastón, J. I. (2020). El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano. Antec: Revista Peruana de Investigación Musical, 4(1). Retrieved July 8, 2024, from http://revistas.unm.edu.pe/index.php/Antec/article/view/77
Abstract: La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas.
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