| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
| Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
| Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
| Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
| Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
| Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
| Castaños, Mikel Peregrina |
Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente |
2019 |
Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra |
7 |
81-105 |
| Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
| Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
| Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
