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Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Natter, Tobias |
Subkulturen und Hybridität im ”Dritten Raum”: Menschen im Spannungsfeld kultureller Hegemonien ; eine Analyse ideologischer Konflikte am Beispiel des Dokumentarfilms ”Heavy Metal in Baghdad” und der irakischen Heavy Metal Band ”Acrassicauda” |
2013 |
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Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
Rodríguez, Pablo |
Concha Acústica: cuatro décadas de historia |
2014 |
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|
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|
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|
Feria del Libro Heavy |
Cultura metálica: ponencias, debates y exposiciones de la 1º Feria del Libro Heavy de Buenos Aires |
2014 |
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|
Jara, Patricio |
Pájaros negros. crónicas del heavy metal chileno 2 |
2014 |
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Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
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Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
Heavy metal music in the Caribbean setting: politics and language at the periphery |
2014 |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
|
73-90 |
|
|
|
Sweers, Britta |
Der lettische Pagan Metal. Eine ethnomusikologische Quellenkritik und Diskursanalyse |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
101-116 |
|
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|
Varas-Díaz, Nelson; Rivera-Segarra, Eliut; Medina, Carmen L.Rivera; Mendoza, Sigrid; González-Sepúlveda, Osvaldo |
Predictors of communal formation in a small heavy metal scene: Puerto Rico as a case study |
2014 |
Metal Music Studies |
1 |
87-103 |
|
|
|
Knopke, Ekkehard |
Headbanging in Nairobi: The emergence of the Kenyan metal scene and its transformation of the metal code |
2014 |
Metal Music Studies |
1 |
105-125 |
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