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Pichler, Peter |
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Title |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
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2024 |
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399 |
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Produktbeschreibung: Im Heavy Metal wird seit jeher der Mythos gepflegt, die gesamte Szene bewege sich außerhalb aller gesellschaftlicher und kultureller Normen. Paradigmatisch wird dieses Ideal in dem Klassiker “Breaking the Law” von Judas Priest zum Ausdruck gebracht. Obwohl sich diese Vorstellung als wichtiger Teil des Identitätsfundaments der Metal-Szene etablierte, gibt es bis heute keine Forschungen, die nach dem Zusammenhang von Rechtsbezug, Szene-Ethos und Sound im Heavy Metal fragen.
In der vorliegenden Pionierstudie untersucht der Kulturhistoriker Peter Pichler, wie die lokale Metal-Szene in Graz und der Steiermark in den letzten 40 Jahren durch diese Aspekte geprägt wurde. Dem Autor gelingt der Nachweis, dass man die Entstehung der individuellen “Klanglichkeit” des steirischen Metals durch das kulturelle Zusammenspiel von Recht, Moral und Sound erklären kann.>>
[Product description: In heavy metal, the myth has always been maintained that the entire scene operates outside of all social and cultural norms. This ideal is paradigmatically expressed in the classic “Breaking the Law” by Judas Priest. Although this idea established itself as an important part of the metal scene's foundation of identity, to date there is no research that asks about the connection between legal reference, scene ethos and sound in heavy metal.
In this pioneering study, cultural historian Peter Pichler examines how the local metal scene in Graz and Styria has been shaped by these aspects over the last 40 years. The author succeeds in proving that the emergence of the individual “sound” of Styrian metal can be explained by the cultural interplay of law, morals and sound.] |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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German |
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Meta/Metal (Volume 3) |
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9783170434653 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2534 |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Epilogue: Metal Unbound |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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387-390 |
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Conclusions |
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Lexington |
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London |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2441 |
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Author |
Thomson, Andrew; Thomson, Amanda M.E. |
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Title |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
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Journal Article |
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2022 |
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Metal Music Studies |
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8 |
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3 |
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381-400 |
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Metallica (band); Gilles Deleuze; Felix Guattari; Philosophy |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2353 |
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Author |
Dinali, Wescley |
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Title |
Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e |
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2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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381-393 |
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Punk; Philosophy |
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Pimenta Cultural |
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São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2370 |
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Author |
Hamma, Amine; Trott, Brian |
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Title |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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369-386 |
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Morocco; Sociology |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2440 |
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Author |
Mudrian, Albert (ed) |
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Title |
The Decibel Hall of Fame Anthology: Volume III |
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2020 |
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364 |
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Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. |
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Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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dB Books |
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Mudrian, Albert |
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English |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2275 |
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Author |
Makkonen, Markus; Strömsholm, Kim |
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Title |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
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Book Whole |
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2022 |
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364 |
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Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. |
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dB Books |
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English |
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no |
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INTech @ brianhickam2019 @ |
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2276 |
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Author |
Kolesnik, Alexandra S. |
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Title |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
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Journal Article |
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Year |
2021 |
Publication |
Художественная культура |
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4 |
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362-381 |
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NWOBHM; Fantay; Machines; Technology; Aesthetics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2245 |
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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
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Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
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355-393 |
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Bogotá; música Metal; mujeres; representaciones sociales |
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El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
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XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Spanish |
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Colección Imaginarios y Representaciones |
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First |
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978-607-99388-5-7 |
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PDF |
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See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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INTech @ brianhickam2019 @ |
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2288 |
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Author |
Swallow, Reuben; Herbst, Jan-Peter |
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Title |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
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Year |
2022 |
Publication |
Metal Music Studies |
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8 |
Issue |
3 |
Pages |
351-379 |
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Dissonance; Sociology; Function; Transgression |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2352 |
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