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Author |
Makkonen, Markus; Strömsholm, Kim |
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Title |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
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2022 |
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364 |
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Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. |
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dB Books |
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English |
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INTech @ brianhickam2019 @ |
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2276 |
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Author |
Kolesnik, Alexandra S. |
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Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
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2021 |
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Художественная культура |
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4 |
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362-381 |
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NWOBHM; Fantay; Machines; Technology; Aesthetics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2245 |
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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
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2021 |
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Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
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355-393 |
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Bogotá; música Metal; mujeres; representaciones sociales |
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El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
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XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Spanish |
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Colección Imaginarios y Representaciones |
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First |
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978-607-99388-5-7 |
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PDF |
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See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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INTech @ brianhickam2019 @ |
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2288 |
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Author |
Swallow, Reuben; Herbst, Jan-Peter |
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Title |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
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2022 |
Publication |
Metal Music Studies |
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8 |
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3 |
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351-379 |
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Dissonance; Sociology; Function; Transgression |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2352 |
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Author |
Rahadianto Sutopo, Oki; Aryo Lukisworo, Agustinus |
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Title |
Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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351-368 |
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Indonesia; Sociology |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2439 |
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Author |
Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
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Title |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
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2022 |
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Música Extrema: ruídos, imagens e sentidos |
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344-380 |
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Female artists; Extreme metal; Feminity |
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Pimenta Cultural |
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São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2369 |
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Author |
Gehlke, David E. |
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Title |
Turned Inside Out: : The Official Story of Obituary |
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Year |
2022 |
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328 |
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Obituary, death metal, Florida, John Tardy, Trevor Peres, Donald Tardy |
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Tampa, Florida's Obituary has been a death metal institution since 1984. Guided by the inhuman, if not unfathomably deranged vocals of John Tardy, the obscenely brutal guitar tone of Trevor Peres and rhythmic brilliance of drummer Donald Tardy, Obituary defined heaviness throughout the 1990s. Their 1989 'Slowly We Rot' and 1990 'Cause of Death' studio albums are undisputed classics, but their live prowess and unwavering dedication to their fans made them one of the metal underground's most respected bands.An unexpected five-year hiatus starting in 1998 only saw Obituary's stature grow when a new generation of bands adopted their sonic trademarks. However, their post-reformation efforts were nearly sidetracked by the perils of the music industry and inter-band tumult. Through the unbreakable bond between the Tardy brothers and Peres, Obituary emerged stronger than ever, entrenched in their rightful position as death metal vanguards.'Turned Inside Out: The Official Story of Obituary' is the fully authorized biography of Obituary, providing an unprecedented look into the band's career through in-depth interviews, studio recollections, road stories and scores of exclusive photos. |
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dB Books |
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English |
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1685641539, 9781685641535 |
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INTech @ brianhickam2019 @ |
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2274 |
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Author |
Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
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A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
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2022 |
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Metal Music Studies |
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8 |
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3 |
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327-350 |
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Ethnography; Sociology; Genres & Styles; Preference |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2351 |
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Author |
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
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Title |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
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2023 |
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Defiant Sounds. Heavy Metal Music in the Global South |
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327-350 |
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Decolonialism; Caribbean scenes |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2438 |
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Author |
Barski, Kamil Sławomir |
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Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
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2023 |
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Świat i Słowo [World and Word] |
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41 |
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2 |
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325-345 |
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Romanticism; Black metal; Ecocriticism; Art; Nature |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2549 |
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