| |
Records |
Links |
|
Author |
Roby, David Allen |
|
| |
Title |
Crust Punk: An Anarchist Political Epistemology |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
204 |
|
| |
Keywords |
Affect; Anarchism; Clothing; Cultural anthropology; Crust punk; Heavy Metal Music; Political science; Punk rock music; Reggae; Tattoos; Transiency |
|
| |
Abstract |
The Sex Pistols’ 1976 anthem, “Anarchy in the UK,” memorialized an ongoing relationship between anarchism and punk rock music. Although scholars of punk music have long documented the relationship between leftist or progressive politics in punk music scenes, they have not interrogated the content and sources of anarchist politics, often taking for granted the relationship between anarchism and punk. This dissertation examines the anarchist politics of a particular genre of punk, called “crust punk,” which is a blend of punk and heavy metal. Like most music subcultures, the crust punk scene is much more than musical sounds; it is associated with a particular lifestyle as well. Crust punks’ choices to drop out of society and live in squats or on the streets, I argue, are political. This dissertation combines ethnomusicological methods with a field of study called “political epistemology” from political science that seeks to understand the origins and composition of political ideas. I combine these two approaches to examine crust punk political ideas: where they come from, how they are shared within the scene, and in what ways they can be considered “anarchist.” I conclude that crust punk represents a form of what I theorize as “vernacular anarchism” that arises from precarious forms of existence, is formulated in everyday life experiences, and is given substance through affective and emotional responses to the poetics of crust punk song texts. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
University of California, Davis |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number  |
INTech @ brianhickam2019 @ |
Serial |
2199 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lukes, Daniel; Panayotov, Stanimir (eds) |
|
| |
Title |
Black Metal Rainbows |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
400 |
|
| |
Keywords |
|
|
| |
Abstract |
Designer: Jaci Raia |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
PM Press |
Place of Publication |
|
Editor |
Lukes, Daniel; Panayotov, Stanimir |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
9781629638812, 9781629638829 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2271 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Riekki, Matti |
|
| |
Title |
North From Here: The Sentenced Story (English edition) |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
262 |
|
| |
Keywords |
|
|
| |
Abstract |
Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively.
The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced.
Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Svart Records |
Place of Publication |
|
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2277 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Sylvester, Steve; Cioppi, Gianni Della |
|
| |
Title |
The Necromancer of Rock: The Origins of Death SS |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
207 |
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Ajna Bound |
Place of Publication |
Jacksonville, OR |
Editor |
|
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-7348950-1-8 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Translated by Alberto Brandi. A first edition of this book was published in 2011 by Crac Edizioni-Falconara Marittima (AN) |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2286 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Uriarte Trancon, Camilo |
|
| |
Title |
La Chakalidad en el grupo Hadez 1988-2000: discursos de autenticidad en la producción musical del metal extremo peruano. |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
104 |
|
| |
Keywords |
Metal extremo (Música)--Perú--1988-2000; Música popular--Perú--Siglo XX |
|
| |
Abstract |
El presente trabajo se enfrenta a las estrategias utilizadas por las bandas de metal en el Perú, específicamente aquellas corrientes denominadas como “metal extremo”, para la construcción de discursos de autenticidad. Estas estrategias se expresan a través de técnicas de proceso sonoro y decisiones en relación a la producción musical tomadas durante el registro en el estudio de grabación y posterior edición en fonogramas. Estas decisiones, son también determinadas con anterioridad a la producción, y representan tanto la forma en la que las bandas conceptualizan su sonoridad en la práctica musical privada y grupal, como su expresión en la interpretación en el espacio escénico. Para lograr identificar estas estrategias, se aplican técnicas etnográficas y de la musicología de la producción musical, aunadas al análisis de conceptos relacionados con la autenticidad dentro del metal, especialmente la percepción de transgresión, con el fin de definir las características centrales que identifican el sonido del metal extremo peruano. Para ello realizo un estudio de caso que identifica y analiza la producción musical en la discografía de la banda limeña Hadez entre los años 1988 y 2000.
Esta producción se compone por 4 “demos” y 2 álbumes, en los que vemos reflejados los cambios en los discursos sonoros de autenticidad de la banda a través del tiempo. Esta investigación pretende demostrar el valor fundamental de la toma de decisiones en la producción musical del metal extremo peruano, ya que es a través de estas decisiones que se construyen y negocian los discursos de autenticidad. Estas estrategias y decisiones prácticas, influenciadas por el uso y acceso a la tecnología en el entorno de grabación e informadas por los discursos de autogestión, comunes una “escena global” underground del metal extremo, se encuentran en constante proceso de negociación con características propias locales, que exploro a través de este trabajo, y que definiremos como “chakalidad”. |
|
| |
Address |
https://tesis.pucp.edu.pe/repositorio/ |
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
Pontificia Universidad Católica del Perú, PUCP |
Place of Publication |
Lima, República del Perú |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Magíster en Musicología |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2287 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Cárdenas Azuaje, Diana María |
|
| |
Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
Type |
Book Chapter |
| |
Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
355-393 |
|
| |
Keywords |
Bogotá; música Metal; mujeres; representaciones sociales |
|
| |
Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
|
| |
Address |
https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
Place of Publication |
XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
Colección Imaginarios y Representaciones |
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
First |
|
| |
ISSN |
|
ISBN |
978-607-99388-5-7 |
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2288 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Aloe, Federico; Mailén, Ludmila |
|
| |
Title |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
Type |
Miscellaneous |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
15'14" |
|
| |
Keywords |
Un documental [a documentary] |
|
| |
Abstract |
Producido por Raza Truncka
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla
Dirección de Fotografía: Federico Raposo Aloe
Dirección de Sonido: Adrián Charras
Dirección de Montaje: Federico Raposo Aloe y Ludmila Mailén Padilla
Raza Truncka somos José Luis Terzaghi, Fausto Nascimbene, Diego Palavecino, Ezequiel Evangelista, Germán Barloqui, Facundo Evangelista e Ignacio Ponce
Entrevistades por orden de aparición: Sabrina Franciosi, Federico Calabia, Betiana Juárez, Gerardo Gramasco, Tito Müller, Julián Curinao, Horacio Andariego, Patricio Testa, Beto San Tuka, Gito Minore, Rocío Schlieper Yanca, Libertad Vázquez y Emanuel Corihuala
Investigación: Raza Truncka y Ludmila Mailén Padilla
Danza: Gerardo Gramasco, Betiana Juárez, Florencia Orrego, Lucas Valdéz y Sabrina Franciosi
Pintura: Federico Calabia
Máscaras: Gabriela Ayala, Gerardo Gramasco y Julius Gonup
Voz en off: Fausto Nascimbene
Cámaras: Federico Raposo Aloe, Pablo Ramiro y Beatriz Sánchez Picaso
Edición de audio: Adrián Charras, José Luis Terzaghi, Fausto Nascimbene y Facundo Evangelista
Logística: Sabrina Franciosi, Alejandro Zlatar, Natalia Usero y Marité Rotundo
Traducción al inglés: Ferna Dermit
Canciones:
El pensamiento, la ida
Baguala de la Raza Truncka
Pala pala
Poeta del Mishky Mayu
Napalpí
Vidalárbol trunckado
Un agradecimiento especial a les organizadores del Festival Pacha Huasi y a todas las personas que participaron de este proyecto. |
|
| |
Address |
https://www.youtube.com/user/RazaTruncka/about |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Producido por Raza Truncka |
Place of Publication |
Tavakuairetã Paraguái [República del Paraguay] |
Editor |
Dirigido por Federico Raposo Aloe y Ludmila Mailén Padilla |
|
| |
Language |
Paraguayan Guarani |
Summary Language |
Subtitles in English |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
YouTube |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2289 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Córdoba, Jesús |
|
| |
Title |
Metaleras feministas (Feminist Metalheads) |
Type |
Miscellaneous |
| |
Year |
2021 |
Publication |
Metal to the Bone |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
8 March |
Pages |
1-4 |
|
| |
Keywords |
Feminism |
|
| |
Abstract |
- 'Metal to the Bone' es un espacio donde podrás encontrar entrevistas con las distintas mujeres que hacen parte del Hardock/Metal y otros escritos sobre la escena y el acontecer musical.
- Publicado por 'Metal to the Bone':
'Metal to the Bone' es un blog colombiano (Bogotá) dedicado a visibilizar la participación de las mujeres en el metal, teniendo siempre presente una dimensión en Derechos Humanos, enfoque de género. También podrán encontrar artículos y notas sobre la actualidad del metal. Ver todas las entradas de Metal to the Bone |
|
| |
Address |
https://metaltotheboneccmr.wordpress.com/ |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
Bogotá, Distrito Capital, Republic of Colombia |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
Blog post |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2321 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Sabbath, Juan |
|
| |
Title |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
312 |
|
| |
Keywords |
Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology |
|
| |
Abstract |
El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. |
|
| |
Address |
jcmendozacol@unal.edu.co |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Nixx Editores |
Place of Publication |
Sogamoso, Boyacá, Republic of Colombia |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
9584944851, 9789584944856 |
Medium |
print |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2373 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Trafford, Simon |
|
| |
Title |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
Type |
Book Chapter |
| |
Year |
2021 |
Publication |
Middle Ages without borders: A conversation on Medievalism |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
“This paper explores and comments upon the way in which neo-Viking identities, masculinity and alcoholic consumption have become aligned and mutually reinforcing in popular culture, aided and abetted by consumer capitalism and the power of advertising.”
Since 2020, all volumes from the Collection of the French School of Rome and the Library of the French Schools of Athens and Rome are also freely available online on the OpenEdition Books website:
https://books.openedition.org /efr/95
https://books.openedition.org/efr/96 |
|
| |
Address |
https://www.publications.efrome.it/opencms/opencms/ |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Publications de l’École française de Rome |
Place of Publication |
Italy |
Editor |
Tommaso di Carpegna Falconieri; Pierre Savy; & Lila Yawn |
|
| |
Language |
English |
Summary Language |
English, Spanish, French |
Original Title |
|
|
| |
Series Editor |
École Française de Rome |
Series Title |
Collection de l'École française de Rome |
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-2-7283-1494-2; 978-2-7283-1493-5 |
Medium |
eBook |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
OpenEdition Books |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2514 |
|
| Permanent link to this record |
