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Herbst, J. (2024). Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums. In A. R. Brown (Ed.), Who Do We Think They Are? Deep Purple and Metal Studies (t.b.c.). Equinox.
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Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
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Herbst, J. - P. (2021). Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers. Metal Music Studies, 7(3), 445–467.
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Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
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Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
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Herbst, J. - P. (2020). From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal. Metal Music Studies, 6(1), 87–108.
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Herbst, J. - P. (2019). Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives. Metal Music Studies, 5(1), 53–69.
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Herbst, J. - P. (2019). The formation of the West German power metal scene and the question of a ‘Teutonic’ sound. Metal Music Studies, 5(2), 201–223.
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Herbst, J. - P. (2018). Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4(1), 95–113.
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Herbst, J. - P. (2017). Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3(2), 231–250.
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