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Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
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Brown, A. R. (2021). Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85. Metal Music Studies, 7(1), 61–84.
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Brown, A. R. (2018). A manifesto for metal studies: Or putting the ‘politics of metal’ in its place. Metal Music Studies, 4(2), 343–363.
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Brown, A. R. (2016). Un(su)Stained Class? Figuring Out the Identity-Politics of Heavy Metal’s Class Demographics. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 190–208). New York & London: Routledge.
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Brown, A. R. (2016). ”Girls like metal, too!” Female reader’s engagement with the masculinist culture of the tabloid metal magazine. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 163–181). New York & London: Routledge.
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Brown, A. R. (2015). Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein. Metal Music Studies, 1(2), 233–261.
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Brown, A. R. (2015). metal For The Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It To Be...). In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 454–464). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Brown, A. R. (2012). The Speeding Bullet, the Smoking Gun: Tracing Metal Trajectories, from Sabbath to Satyricon. In K. Fellezs, & A. R. Brown (Eds.), Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture (pp. 1–13). Oxford: Inter-Disciplinary Press.
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Brown, A. R. (2011). No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s ”Running with the Devil: Power Madness and Gender in Heavy Metal Music” and Recent Metal Studies. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 63–72). Oxford: Inter-Disciplinary Press.
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Brown, A. R. (2011). Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010. Journal for Cultural Research, 15(3), 213–242.
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