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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Lucas, O. R. (2021). Light Shows as Public, Vernacular Music Theory. In J. D. Jenkins (Ed.), The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory (s.p.). Oxford: Oxford University Press.
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Lucas, O. R. (2019). ‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist. Popular Music; Cambridge, 38(3), 481–497.
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Lucas, O. R. (2018). “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen. Music Theory Online, 24(3).
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Lucas, O. R. (2016). Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music. Ph.D. thesis, Harvard University, Cambridge.
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