Banchs, E., Bardine, B. A., Chilewska, A., Cintrón-Gutiérrez, L. J., Hagen, R., Madera, S. R., et al. (2023). On Extremity: From Music to Images, Words, and Experiences (N. Varas-Díaz, B. Bardine, & & N. W. R. Scott, Eds.). Extreme Sounds Studies: Global Socio-Cultural Explorations. Lexington Books.
Abstract: “On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
(source: Amazon.com)
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Brown, A. R., Spracklen, K., Kahn-Harris, K., & Scott, N. W. R. (2016). Introduction: Global Metal Music and Culture and Metal Studies. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 1–21). New York & London: Routledge.
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Brown, A. R., Spracklen, K., Scott, N. W. R., & Kahn-Harris, K. (Eds.). (2016). Global metal music and culture: current directions in metal studies. New York & London: Routledge.
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O’Boyle, T., & Scott, N. W. R. (2016). The Future of Metal is Bright and Hell Bent for Genre Destruction: A Response to Keith Kahn-Harris. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 333–342). New York & London: Routledge.
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Scott, N. W. R. (2019). Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage”. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Scott, N. W. R. (2019). From ”Parking Lot to Baghdad”: documentary film and global metal discourse. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Scott, N. W. R. (2016). Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 23–36). Lanham, Boulder, New York & London: Lexington Books.
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Scott, N. W. R. (2016). Heavy Metal as Resistance. In G. Riches, D. Snell, B. Bardine, & B. G. Walter (Eds.), Heavy Metal Studies and Popular Culture (pp. 19–35). New York: Palgrave Macmillan UK.
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Scott, N. W. R. (2014). Black Confessions and Absu-lution. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 221–230). s. l.: s. i.
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Scott, N. W. R. (2012). Politics? Nah, fuck politics, man: what can we expect from metal gods? In N. Scott (Ed.), Reflections in the metal void (pp. 215–222). Oxford: Inter-Disciplinary Press.
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