|
|
St-Laurent, M. - R. (2019). ‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community. Metal Music Studies, 5(3), 379–399.
|
|
|
|
St-Laurent, M. - R. (2019). “It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene. In J. - O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi (pp. 267–272). Stockholm: Royal College of Music (KMH) & Art of Record Production.
|
|
|
|
St-Laurent, M. - R. (2016). La construction de la puissance et de l’oppression dans “Puritania” de Dimmu Borgir. In nicolas Bénard, & C. Poulet (Eds.), Chant pensé, chant vécu, temps chanté : Formes, usages et représentations des pratiques vocales (pp. 87–104). Sampzon: Delatour.
|
|
|
|
St-Laurent, M. - R. (2016). Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh. Metal Music Studies, 2(1), 87–108.
|
|
|
|
St-Laurent, M. - R. (2013). Quand Le Metal Flirte Avec Abba: Analyse Des Transformations Formelles Et Thématiques De « Summer Night City”. Intersections: Canadian Journal of Music, 34(1/2), 135–151,232.
|
|
|
|
St-Laurent, M. - R., & Smialek, E. (2018). Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization. In C. Scotto, K. Smith, & J. Brackett (Eds.), The Routledge Companion to Popular Music Analysis: Expanding Approaches (pp. 378–399). Abingdon & New York: Routledge.
|
|
|
|
Venkatesh, V., Nelson, B. J., Thomas, T., Wallin, J. J., Podoshen, J. S., Thompson, C., et al. (2016). Exploring the Language and Spectacle of Online Hate Speech in the Black Metal Scene: Developing Theoretical and Methodological Intersections between the Social Sciences and the Humanities. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 127–150). Lanham, Boulder, New York & London: Lexington Books.
|
|
