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Swallow, R. (2021). Defining Consonance and Dissonance in Metal Music. Master's thesis, University of Huddersfield, Huddersfield.
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Švehla, M. (2023). Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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Suran, T. (2021). Beyond the Expression of Nihilism in Black Metal. Studia Polensia, 10(1), 141–148.
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Strickland, G. (2017). Get Patient. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 140–147). St. Louis: Void Front Press.
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Stricker, J. A. (2018). Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal. Master's thesis, University of Miami, Coral Gables.
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Stašová, G., Vrzal, M., & Nenadalová, J. (2022). A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 14(3). Retrieved May 13, 2024, from http://dx.doi.org/DOI 10.24917/20837275.14.3.8
Abstract: “The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal (e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.”
“This article is a reworked version of Gabriela Stašová’s paper Za vším hledej muže? Motivační zdroje poslechu metalu u ženského publika (A man behind everything? Motivational sources of metal listening among female audiences) presented at the 5th Czech Conference about Metal (Brno, 2021) on the theme scenes, gender, identities. Due to its topic, the conference (with Stašová’s contribution in particular) received a broad response from the public and aroused controversy within a sector of Czech metal subculture. The controversy centered on the perception that the study of gender problematics (gender studies) and metal studies – as well as the social sciences and humanities in general-–are useless pursuits (see Miroslav Vrzal’s article in this issue)” (Source for both: this article)
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St. Laurent, M. - R. (2021). “Métal noir épique patriotique”: Analysis of historical, sociological and cultural discourses uniting metal noir québécois and Québec society. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Špoljarić, B. (2021). The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum. Studia Polensia, 10(1), 87–114.
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Souza, R. M. de Q. (2022). A performance dialógica da música extrema. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 298–313). São Paulo: Pimenta Cultural.
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Somoza, J. M. (2022). Hospitalarias realidades: Desarme de corporalidades metaleras a través de la Medicina y las Ciencias Naturales. Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras, 1(1). Retrieved May 13, 2024, from https://reehm.org/static/publicaciones/Disonancias_del_Metal_01.pdf
Abstract: Jimena Mabel Somoza es egresada del Profesorado de Cs. Naturales perteneciente al Instituto Superior de Profesorado “Dr. Joaquín V. González”. Especialista Superior en Ed. Sexual. Colaboró en el libro Ideas para el aula de Meinardi, Elsa y Mateu, Marina (compiladoras).
Especialista en Docencia de Nivel Secundario, egresada del CITEP (UBA). Diplomada en Intervenciones Pedagógicas en Contexto de Encierro de la UNSAM y Especialista Superior en Políticas de la Infancia del Instituto Superior de Profesorado N°2 “Mariano Acosta”.
Maestranda en Educación en Ciencias Experimentales y Tecnología, FCEFyN (UNC), también cursa la Maestría y Doctorado en Estudios y Políticas de Género en la UNTREF.
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