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Banchs, E., & Tshomarelo “Vulture” Mosaka. (2023). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 227–232). London: Lexington Books.
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Pichler, P. (2022). “Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980. Austrian Law Journal, 2, 159–179.
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Castañeda, M. (2022). “DE CACERÍA” CONFLICTIVIDAD JUVENIL EN LA CIUDAD DE GUATEMALA A PRINCIPIOS DE LA DÉCADA DE 1990. Metal de Habla Hispana, , 42–55.
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Setničar, R. (2020). “From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon]. Bachelor's thesis, Univerza v Ljubljani, Ljubljana.
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Hoad, C. “Images and words”: Textual analysis and its uses for metal music studies. In A. Bennett (Ed.), The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 151–169). New York; London; Dublin: Bloomsbury Publishing.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
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Silva, M. A. dos S., & Polivanoz, B. (2015). “Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal. Logos, 22(2), s. p.
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Nenadalová, J., & Menšíková, T. (2022). “Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies. Religio: Revue pro religionistiku, 30(1), 77–80.
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Hernández Parra, S. I. (2022). “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA. Metal de Habla Hispana, 1, 67–73.
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