|
|
Jordan, J. B., & Herbst, J. - P. (2023). Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres. Metal Music Studies, 9(1), 27–58.
|
|
|
|
James, K. (2023). Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality. In E. Peters (Ed.), Music in Crime, Resistance, and Identity (pp. 52–62). Abingdon & New York: Routledge.
|
|
|
|
Hudson, S. S. (2023). Song form and storytelling in mainstream metal. Metal Music Studies, 9(1), 7–26.
|
|
|
|
Holzbach, A. D., Santos, M., Evangelista, S., & Oliveira, T. (2015). Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas. In S. P. de Sá, R. Carreiro, & R. Ferraz (Eds.), Cultura pop (pp. 131–150). Salvador: EDUFBA.
|
|
|
|
Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
|
|
|
|
Hoad, C. (2023). Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”. Rock Music Studies, t.b.c..
|
|
|
|
Herrera Díaz, F. A. (2017). Metal colombiano: los sonidos de un país en guerra. Bachelor's thesis, Pontificia Universidad Javeriana, Bogotá.
|
|
|
|
Hernández Parra, S. I. (2022). “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA. Metal de Habla Hispana, 1, 67–73.
|
|
|
|
Herbst, J. - P. (Ed.). (2023). The Cambridge Companion to Metal Music. Cambridge Companions to Music. Cambridge, England: Cambridge University Press.
Abstract: “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music.
|
|
|
|
Heaton, B. J., & Naron, B. L. (2024). Roads to Madness: The Touring History of Queensrÿche (1981-1997). Puyallup, WA: NW Metalworx Music.
Abstract: “DESCRIPTION: Roads to Madness: The Touring History of Queensrÿche (1981-1997) by Queensrÿche biographer and historian Brian J. Heaton, and Pacific Northwest metal music archivist Brian L. Naron.”
(Source: https://nwmetalworxmusic.com/)
|
|
