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Ortiz Cuchivague, K. (2022). Paroxis Histérica un podcast feminista antirracista y decolonial.1(1). Retrieved May 2, 2024, from https://reehm.org/static/publicaciones/Disonancias_del_Metal_01.pdf
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Córdoba Romero, J. A. (2022). Metal to the Bone: Falta de autocrítica y feminismo dentro del metal.1(1). Retrieved May 2, 2024, from https://reehm.org/static/publicaciones/Disonancias_del_Metal_01.pdf
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Varas-Díaz, N., Wallach, J., Clinton, E., & Nevárez Araújo, D. (Eds.). (2023). Defiant Sounds: Heavy Metal Music in the Global South. London: Lexington Books.
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Mora-Rioja, A. (2023). Poetry in English and Metal Music. Adaptation and Appropriation Across Media. Cham: Palgrave Macmillan.
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van Doesburg, E. (2023). The Rejection and Redemption of Technology in Black Metal. Bachelor's thesis, Radboud University, Nijmegen.
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Orálková, L. (2022). Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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Švehla, M. (2023). Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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Dukayev, A. (2023). Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices. Master's thesis, Nazarbayev University, Astana.
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