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Jocson-Singh, J. (2019). Vigilante feminism as a form of musical protest in extreme metal music. Metal Music Studies, 5(2), 263–273.
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Kahn-Harris, K. (1999). An Orphaned Land? Israel and the Global Extreme Metal Scene. In K. Harris (Ed.), New voices in Jewish thought. Vol. 2 Vol. 2 (pp. 1–21). London: Limmud.
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Kahn-Harris, K. (2000). ‘Roots’? the relationship between the global and the local within the Extreme Metal scene. Popular Music, 19(1), 13–30.
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Kahn-Harris, K. (2001). Ein Verwaistes Land? Israel und die Extreme Metal-Szene. Testcard, 6.
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Kahn-Harris, K. (2001). Transgression and mundanity: the global extreme metal music scene. Ph.D. thesis, Goldsmiths College, London.
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Kahn-Harris, K. (2004). Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’. In A. Bennett, & K. Kahn-Harris (Eds.), After subculture: critical studies in contemporary youth culture (pp. 107–118). Houndmills, Basingstoke, Hampshire & New York: Palgrave Macmillan.
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Kahn-Harris, K. (2006). “Roots”? the relationship between the global and the local within the Extreme Metal scene. In A. Bennett, B. Shank, & J. Toynbee (Eds.), The popular music studies reader (pp. 128–134). Milton Park: Routledge.
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Kahn-Harris, K. (2007). Extreme metal: music and culture on the edge. Oxford & New Yoork: Berg Publishers.
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Kahn-Harris, K. (2009). End of the World Music: Is Extreme Metal the Sound of the Apocalypse. In J. Walliss, & K. G. C. Newport (Eds.), The end all around us: apocalyptic texts and popular culture (pp. 22–42). London & Oakville: Equinox.
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Kahn-Harris, K. (2009). Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene]. Replika, 65, 165–175.
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