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Ables, M. (2016). Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 99–108). New York & London: Routledge.
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Allué Montilla, I. (2017). Mujeres, rock & heavy metal: ?quién dijo sexo débil? Lleida: Editorial Milenio.
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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Barron, L. (2013). Dworkin’s nightmare: Porngrind as the sound of feminist fears. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 66–82). Bristol: Equinox.
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Bartosch, R. (2011). Kanon-Subversion und Geschlechts(de)konstruktion in den Lyrics von Cradle Of Filth. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 124–140). Oberhausen: Schmenk.
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Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
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Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
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Becknell, M. E., Firmin, M. W., Hwang, C. -en, Fleetwood, D. M., Tate, K. L., & Schwab, G. D. (2008). Effects of Listening to Heavy Metal Music on College Women: A Pilot Study. College Student Journal, 42(1), 24–35.
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Bellemare, L. (2016). Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 193–208). New York & London: Routledge.
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Berkers, P., & Schaap, J. (2016). Gender Inequality in Metal Music Production. London: Emerald.
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