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Wallach, J. (2011). Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 86–105). Durham: Duke University Press.
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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallach, J., Berger, H. M., & Greene, P. D. (Eds.). (2011). Metal rules the globe: heavy metal music around the world. Durham: Duke University Press.
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Walsh, A. (2012). Viking Heritage: The Creation of a Personal and National Identity through History and Metal. In K. Fellezs, & A. R. Brown (Eds.), Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture (pp. 65–76). Oxford: Inter-Disciplinary Press.
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Walsh, A. (2013). “A great heathen fist from the North”: Vikings, Norse Mythology, and Medievalism in Nordic Extreme Metal Music. Ph.D. thesis, Universiteit i Oslo, Oslo.
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Walzer, N. (2010). Du paganisme ? Nietzsche : se construire dans le Metal. Rosières-en-Haye: Camion blanc.
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Wang, Y. (2015). Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 219–229). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Whitting, S., Klimentou, P., & Rogers, I. (2019). ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive. In C. Hoad (Ed.), Australian Metal Music (pp. 55–70). London: Emerald.
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Williams, D., & Da Rocha, M. A. (2017). Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura. Metal Music Studies, 3(1), 145–152.
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