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Scotto, C. (2016). The Structural Role of Distortion in Hard Rock and Heavy Metal. Music Theory Spectrum, 38(2).
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Slaven, J. E., & Krout, J. L. (2016). Musicological analysis of guitar solos from the roots of rock through modern heavy metal. Metal Music Studies, 2(2), 245–251.
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St-Laurent, M. - R. (2019). ‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community. Metal Music Studies, 5(3), 379–399.
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St-Laurent, M. - R. (2013). Quand Le Metal Flirte Avec Abba: Analyse Des Transformations Formelles Et Thématiques De « Summer Night City”. Intersections: Canadian Journal of Music, 34(1/2), 135–151,232.
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St-Laurent, M. - R., & Smialek, E. (2018). Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization. In C. Scotto, K. Smith, & J. Brackett (Eds.), The Routledge Companion to Popular Music Analysis: Expanding Approaches (pp. 378–399). Abingdon & New York: Routledge.
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Swallow, R. (2021). Defining Consonance and Dissonance in Metal Music. Master's thesis, University of Huddersfield, Huddersfield.
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Sweers, B. (2014). Der lettische Pagan Metal. Eine ethnomusikologische Quellenkritik und Diskursanalyse. In F. Heesch, & A. - K. Höpflinger (Eds.), Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge (pp. 101–116). Münster: Waxmann Verlag.
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Tolinski, B. (1989). Speed Kills: A Thinking Man’s Guide to Thrash. Guitar World, October.
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Tsai, C. - G., Wang, L. - C., Wang, S. - F., Shau, Y. - W., Hsiao, T. - Y., & Auhagen, W. (2010). Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms. Music Perception, 27(3), 209–222.
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Vanek, G. (2018). Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust. Metal Music Studies, 4(3), 573–583.
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