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Hudson, S. S. (2021). Compound AABA Form and Style Distinction in Heavy Metal. Music Theory Online, 27(1), n.p.
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Hudson, S. S. (2023). Song form and storytelling in mainstream metal. Metal Music Studies, 9(1), 7–26.
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Jordan, J. B. (2021). Harmonic Structures of 21st Century Heavy Metal. Master's thesis, University of Huddersfield, Huddersfield.
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Kazdan, A. (2017). Textural applications of power chords in Scandinavian death metal. Metal Music Studies, 3(2), 269–321.
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Kennedy, L. F., & Yavuz, M. S. (2019). Metal and Musicology. Metal Music Studies, 5(3), 293–296.
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Kosek, J. (Ed.). (2022). Żywioły i ideologie w narracjach muzyki metalowej [Elements and ideologies in metal music narratives]. Krakow: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie.
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Lilja, E. (2009). Theory and analysis of classic heavy metal harmony. Helsinki: IAML Finland.
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Lilja, E. (2009). Theory and Analysis of Classic Heavy Metal Harmony. Ph.D. thesis, University of Helsinki, Helsinki.
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Lilja, E. (2015). Dealing With The 3rd: Anatomy Of Distorted Chords And Subsequent Compositional Features Of Classic Heavy Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 393–403). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Lilja, E. (2019). Harmonic function and modality in classic heavy metal 1. Metal Music Studies, 5(3), 355–378.
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