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Greene, P. D. (2011). Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 109–134). Durham: Duke University Press.
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Grütz, M. (2018). Metallisierte Welt: auf den Spuren einer Subkultur (1. Auflage ed.). Berlin: Hirnkost KG.
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Hamma, A., & Guibert, G. (2006). De l’internationale-metal au conflit sociétal local : la scène de Casablanca. Entretien avec Amine Hamma. Volume! La revue des musiques populaires, 5(2), 153–177.
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Harbert, B. J. (2013). Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha. In T. Burkhalter, K. Dickinson, & B. J. Harbert (Eds.), The Arab Avant-Garde: Music, Politics, Modernity (pp. 229–272). Middletown: Wesleyan University Press.
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Hazle, D. (2018). Delusions of grandeur? Aria and the development of Soviet metal music. Ph.D. thesis, University of Nottingham, Nottingham.
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Hazle, D. (2021). Delusions of Grandeur? Producing Authentic Metal Music in the Soviet Union. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 185–199). London: Emerald.
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Heath, D. (2015). Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 230–239). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Hecker, P. (2010). Heavy metal in a muslim context: the rise of the Turkish metal underground. In N. Scott (Ed.), The metal void: first gatherings (pp. 341–356). Oxford: Inter-Disciplinary Press.
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Hecker, P. (2010). Heavy Metal in the Middle East: New Urban Spaces in a Translocal Underground. In A. Bayat, & L. Herrera (Eds.), Being Young and Muslim: New Cultural Politics in the Global South and North (pp. 415–434). Oxford: Oxford University Press.
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Hecker, P. (2012). Turkish metal: music, meaning, and morality. In N. Scott (Ed.), Reflections in the Metal Void (pp. 121–142). Oxford: Inter-Disciplinary Press.
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