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Herz, G. F. (2008). Pura fusión: eugenesia, nacionalismo y (cierto) heavy metal. In M. Ugarte, & L. Sanjurjo (Eds.), Emergencia: cultura, música y política (pp. 145–160). Buenos Aires: Ediciones del Centro Cultural de la Cooperación Floreal Gorini.
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Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.). (2013). Heavy metal: controversies and countercultures. Bristol: Equinox.
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Hoad, C. (2015). Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 300–308). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Hochhauser, S. (2011). The marketing of Anglo-identity in the North American hatecore metal industry. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 161–179). Durham: Duke University Press.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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Höpflinger, A. - K. (2015). ”Sakralkommunist”. Die religiös-politische Bricolage im Schweizer Black Metal. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 77–88). Trier: Wvt.
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Hoz de Vila Guzmán, C. (2024). Subsuelo político en el punk femenino paceño. In M. Saavedra, & R. Tapia (Eds.), La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano (pp. 73–98). Special Issue of Perspectivas y Resistencias Musicales 2 (2).
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Hudson, S. S. (2021). Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics. Metal Music Studies, 7(3), 475–478.
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Kahn-Harris, K. (2004). The ‘Failure’ of Youth Culture: Reflexivity, Music and Politics in the Black Metal Scene. European Journal of Cultural Studies, 7(1), 95–111.
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Kahn-Harris, K. (2011). ”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 200–227). Durham: Duke University Press.
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