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Dawes, L. (2012). What are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal. New York: Bazillion Points.
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Dawes, L. (2015). Challenging an ‘Imagined Community’: Discussions (or lack thereof) of black and queer experiences within heavy metal culture. Metal Music Studies, 1(3), 385–393.
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Dawes, L. (2022). “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal. Ph.D. thesis, Columbia University, New York.
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Deyhle, D. (1998). From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity. Youth & Society, 30(1), 3–31.
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Dyck, K. (2012). ”The Blood of my Ancestors” – Nostalgia in White-Supremacist Hate Rock. In K. Wisotzki, & S. R. Falke (Eds.), Böse Macht Musik: zur Ästhetik des Bösen in der Musik (pp. 131–140). Bielefeld: Transcript.
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Epp, A. (2017). Diversity in Metal Politics. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Fellezs, K. (2012). Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal. In K. Fellezs, & A. R. Brown (Eds.), Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture (pp. 23–36). Oxford: Inter-Disciplinary Press.
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Fellezs, K. (2013). Black metal soul music: Stone Vengeance and the aesthetics of race in heavy metal. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 182–200). Bristol: Equinox.
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Fellezs, K. (2015). Talk Shit, Get Shot: Body Count, Black Masculinity, And Metal Music Culture. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 283–290). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Fellezs, K. (2016). Voracious Souls: Race and Place in the Formation of the San Francisco Bay Area Thrash Scene. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 89–105). New York & London: Routledge.
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