|
Karjalainen, T. - M., & Sipilä, E. (2016). Tunes from the Land of the Thousand Lakes: Early Years of Internationalization in Finnish Heavy Metal. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 209–226). New York & London: Routledge.
|
|
|
Klypchak, B. (2007). Performed identity: heavy metal musicians between 1984 and 1991. Saarbrücken: VDM Verlag Dr. Müller.
|
|
|
Knepp, D. (2012). Gods, Drugs, and Ghosts: Finding Dionysus and Apollo in Black Sabbath and the Birth of Heavy Metal. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 96–110). West Sussex: John Wiley & Sons.
|
|
|
Korczyński, T. M. (2021). The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects. Journal of Modern Science, 46(1), 73–91.
|
|
|
Krumm, C. (2011). ”Auf einmal ist es explodiert”. Die Entstehung der Metalszene im Ruhrgebiet. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 357–366). Münster: Lit.
|
|
|
Kugelberg, J., & Beste, P. (2013). True norwegian black metal: we turn in the night consumed by fire.
|
|
|
Lake, D. (2020). USBM: A Revolution of Identity in American Black Metal. Decibel Books.
|
|
|
Leão, T. (1997). Heavy metal: guitarras em fúria. São Paulo: Editora 34.
|
|
|
Leggett, C. (1985). The heavy metal bible. New York: Pinnacle Books.
|
|
|
Lew, B., Oimonen, H., Quintana, R., Holt, G., Skolnick, A., & Flynn, R. (2011). Murder in the front row: shots from the Bay Area thrash metal epicenter. Brooklyn: Bazillion Points.
|
|