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Swiniartzki, M. (2021). Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals. Archiv für Sozialgeschichte, 61, 445–472.
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Hagen, K. (2021). “If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen. Blake / an Illustrated Quarterly, 54(3), n.p.
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Kjellander Hellqvist, E. (2023). ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom]. HumaNetten, 50, 76–91.
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Korczyński, T. M. (2021). The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects. Journal of Modern Science, 46(1), 73–91.
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Hudson, S. S. (2022). Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music. Music Theory Spectrum, 44(1), s.p.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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Varas-Díaz, N., Mendoza, S., & Rivera, A. (2015). La cultura de la música heavy metal como fenómeno social. Boletín Asociación de Psicología de Puerto Rico, 38(1), 4–6.
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Arenillas Meléndez, S. (2021). Negociaciones de la masculinidad en el heavy español de los ochenta. Feminismo/s, 38, 261–279.
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Baker, C., & Brown, B. (2016). Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis. Journal of Medical Humanities, 37, 1–17.
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