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Watier, N. (2022). Threat cues in metal's visual code. metal music studies, 8(2), 205–223.
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Lajić Mihajlović, D., & Radovanović, B. (2022). Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia. metal music studies, 8(2), 225–243.
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Vrzal, M. (2022). Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia. Metal Music Studies, 8(2), 245–268.
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Barratt-Peacock, R. (2022). Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour. Metal Music Studies, 8(3), 293–308.
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Swist, J. (2022). “Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome. Metal Music Studies, 8(3), 309–325.
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Bleile, M. L., Luedeker, B., & Patterson, C. B. (2022). A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West. Metal Music Studies, 8(3), 327–350.
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Swallow, R., & Herbst, J. - P. (2022). Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance. Metal Music Studies, 8(3), 351–379.
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Thomson, A., & Thomson, A. M. E. (2022). Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band. Metal Music Studies, 8(3), 381–400.
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González-Martínez, S. (2022). The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice. Metal Music Studies, 8(3), 401–421.
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Hill, R. L. (2021). When love and critique collide: Methodology ontology fandom and standpoint in metal research. Metal Music Studies, 7(2), 197–210.
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