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Guibert, G. (2018). Marche ou crève: The band Trust and the singular case of the birth of French heavy metal. In C. R. Gérôme Guibert (Ed.), Made in France: Studies in Popular Music (296). New York, NY: Routledge.
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Lukes, D., & Panayotov, S. (Eds.). (2021). Black Metal Rainbows. PM Press.
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Bahy, C., dos Passos, C., Khalia, L. M. G., & Barchi, R. (Eds.). (2021). Música Extrema. Ruídos, imagens e sentidos. São Paulo: Pimenta Cultural.
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Janotti Junior, J. Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. Porto Alegre /RS - Brasil: Simplíssimo Livros Ltda.
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Nink, T., & Heesch, F. (2023). Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs. Arts, 12(1), 38.
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Vrzal, M. (2022). Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia. Metal Music Studies, 8(2), 245–268.
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Lajić Mihajlović, D., & Radovanović, B. (2022). Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia. metal music studies, 8(2), 225–243.
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Watier, N. (2022). Threat cues in metal's visual code. metal music studies, 8(2), 205–223.
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Friconnet, G. (2022). Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features. metal music studies, 8(2), 183–203.
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Goossens, D., Varas-Díaz, N., & Banchs, E. (2022). Lost in the field: Lessons from metal music studies fieldwork in the Global South. Metal Music Studies, 8(2), 163–182.
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