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Rahadianto Sutopo, O., & Aryo Lukisworo, A. (2023). Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 351–368). London: Lexington Books.
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Hamma, A., & Trott, B. (2023). Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 369–386). London: Lexington Books.
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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Epilogue: Metal Unbound. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 387–390). London: Lexington.
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Wallach, J. (2023). REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist. In C. J. Miller, & A. McGraw (Eds.), Sounding Out the State of Indonesian Music (pp. 162–179). Ithaca: Cornell University Press.
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Putu Tangkas Adi Hiranmayena. (2023). “FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur. In A. McGraw, & C. J. Miller (Eds.), Sounding Out the State of Indonesian Music (pp. 306–319). Ithaca: Cornell University Press.
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Nink, T., & Heesch, F. (2023). Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs. Arts, 12(1), 38.
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Mora-Rioja, A. (2023). Poetry in English and Metal Music. Adaptation and Appropriation Across Media. Cham: Palgrave Macmillan.
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Friconnet, G. (2023). A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music. Metal Music Studies, 9(1), 77–100.
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Hudson, S. S. (2023). Song form and storytelling in mainstream metal. Metal Music Studies, 9(1), 7–26.
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Jordan, J. B., & Herbst, J. - P. (2023). Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres. Metal Music Studies, 9(1), 27–58.
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