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Carey, J. (2023). Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy. Metal Music Studies, 9(1), 101–118.
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Swiniartzki, M. (2023). Working metal musicians: A case of transition in the long 1980s. Metal Music Studies, 9(1), 59–75.
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van Doesburg, E. (2023). The Rejection and Redemption of Technology in Black Metal. Bachelor's thesis, Radboud University, Nijmegen.
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Švehla, M. (2023). Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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James, K. (2023). Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality. In E. Peters (Ed.), Music in Crime, Resistance, and Identity (pp. 52–62). Abingdon & New York: Routledge.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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Kruk, J., & Robertson, W. C. (2023). An annotated interview with Beastwars: Language, identity and place in New Zealand metal. Perfect Beat, 22(1), s. p.
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Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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Dukayev, A. (2023). Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices. Master's thesis, Nazarbayev University, Astana.
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Garrett, R. D. (2023). Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995. Ph.D. thesis, Ohio University, Athens.
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