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Núñez, M. de la L. (2022). De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. Master's thesis, Pontificia Universidad Católica de Chile, Santiago de Chile, Republic of Chile. Retrieved May 17, 2024, from http://dx.doi.org/https://doi.org/10.7764/tesisUC/ART/64378
Abstract: Esta tesis trata acerca del desarrollo que sigue la masculinidad de la figura del vikingo del metal, desde que aparece dentro del metal del norte global, hasta que se convierte en la figura paradigmática del metal vikingo nórdico. La hipótesis que sostengo es que el vikingo del metal vikingo nórdico representa una masculinidad de protesta del metal (siguiendo el sentido que Connell le da a la masculinidad de protesta). Por ello, se trata de una construcción de género que contiene elementos que van surgiendo y se vuelven parte de la cultura metalera, así como otros elementos más que le permiten mostrar su oposición o protesta hacia masculinidades diferentes a la que presenta el vikingo, sobre todo hacia la masculinidad hegemónica local. No obstante, la expresión de dicha oposición termina presentando varias similitudes con discursos de odio ligados al patriarcado, a la raza y a la nacionalidad.
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Carey, J. (2023). Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy. Metal Music Studies, 9(1), 101–118.
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Stašová, G., Vrzal, M., & Nenadalová, J. (2022). A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 14(3). Retrieved May 17, 2024, from http://dx.doi.org/DOI 10.24917/20837275.14.3.8
Abstract: “The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal (e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.”
“This article is a reworked version of Gabriela Stašová’s paper Za vším hledej muže? Motivační zdroje poslechu metalu u ženského publika (A man behind everything? Motivational sources of metal listening among female audiences) presented at the 5th Czech Conference about Metal (Brno, 2021) on the theme scenes, gender, identities. Due to its topic, the conference (with Stašová’s contribution in particular) received a broad response from the public and aroused controversy within a sector of Czech metal subculture. The controversy centered on the perception that the study of gender problematics (gender studies) and metal studies – as well as the social sciences and humanities in general-–are useless pursuits (see Miroslav Vrzal’s article in this issue)” (Source for both: this article)
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Rafanelli, C. (2022). PUEBLOS ORIGINARIOS EN EL METAL. Metal de Habla Hispana, 1, 100–103.
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Saavedra, M. (2022). La cultura juvenil metalera en la ciudad de La Paz, desde el abordaje comunicacional. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 99–134). La Paz: Ediciones Jichha.
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Uribe Álvarez, J. J. (2022). DEL ROCK AL METAL EXTREMO EN COLOMBIA. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE. Metal de Habla Hispana, 1, 93–99.
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Thibodeau, A. J., & Bond, S. (2023). “A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 91–112). London: Lexington Books.
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Nevárez Araújo, D., & Varas-Díaz, N. (2022). Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries. In C. L. Ballengee (Ed.), Music, Sound, and Documentary Film in the Global South (pp. 89–112). Extreme Sounds Studies: Global Socio-Cultural Explorations. Lanham, Maryland: Lexington Books.
Abstract: Description of entire book:
"Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South." (source: Lexington Books)
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Farías Álvarez, I., & Calderón Orellana, M. (2022). MINORÍAS EN EL METAL CHILENO. LETRAS DE RESISTENCIA Y MUJERES AL EXTREMO. Metal de Habla Hispana, 1, 85–92.
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Castillo Bernal, S. (2016). El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. In F. de la Peña Martínez (Ed.), Atlas Etnográfico de los Mundos Contemporáneos (Vol. 1, pp. 83–117). Ciudad de México: Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra.
Abstract: La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera.
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