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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 1–6). London: Lexington Books.
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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Metal Music in the Distorted South: A Call for Defiance and Reflection. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 9–30). London: Lexington Books.
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González-Martínez, S. (2023). An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 33–66). London: Lexington Books.
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Goossens, D. (2023). Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 67–90). London: Lexington Books.
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Thibodeau, A. J., & Bond, S. (2023). “A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 91–112). London: Lexington Books.
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Le Vine, M. (2023). “We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 115–136). London: Lexington Books.
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Rowe, P. (2023). Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 137–162). London: Lexington Books.
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Calvo, M. B. (2023). Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 163–186). London: Lexington Books.
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Nevárez Araújo, D., & Susane Hécate. (2023). An Interview on “Contar/Cantar Memórias da Resistência”. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 189–200). London: Lexington Books.
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Nevárez Araújo, D., & Manuel Gagneux. (2023). Misusing Things in Metal Music: A Dialogue. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 201–218). London: Lexington Books.
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