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Varas-Díaz, N., & Kobi Farhi. (2023). The Alternative Side of the Frame: A Dialogue on Southern Inspirations. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 219–226). London: Lexington Books.
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Banchs, E., & Tshomarelo “Vulture” Mosaka. (2023). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 227–232). London: Lexington Books.
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Fellezs, K. (2023). The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 235–158). London: Lexington Books.
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Yusof, A., & Johan, A. (2023). “Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 259–280). London: Lexington Books.
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Banchs, E. (2023). Ancient, Evil, and African: Heavy Metal and Conflict in East Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 283–302). London: Lexington Books.
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Eckerström, P. (2023). The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South. London: Lexington Books.
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Varas-Díaz, N., & Nevárez Araújo, D. (2023). Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 327–350). London: Lexington Books.
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Rahadianto Sutopo, O., & Aryo Lukisworo, A. (2023). Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 351–368). London: Lexington Books.
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Hamma, A., & Trott, B. (2023). Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 369–386). London: Lexington Books.
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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Epilogue: Metal Unbound. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 387–390). London: Lexington.
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