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van Doesburg, E. (2023). The Rejection and Redemption of Technology in Black Metal. Bachelor's thesis, Radboud University, Nijmegen.
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Orálková, L. (2022). Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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Švehla, M. (2023). Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation]. Bachelor's thesis, Univerzita Palackého v Olomouci, Olomouc.
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James, K. (2023). Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality. In E. Peters (Ed.), Music in Crime, Resistance, and Identity (pp. 52–62). Abingdon & New York: Routledge.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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Dukayev, A. (2023). Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices. Master's thesis, Nazarbayev University, Astana.
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Garrett, R. D. (2023). Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995. Ph.D. thesis, Ohio University, Athens.
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Landes, N. “That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons. Ph.D. thesis, Indiana University, Ann Arbor.
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Herbst, J. - P. (Ed.). (2023). The Cambridge Companion to Metal Music. Cambridge Companions to Music. Cambridge, England: Cambridge University Press.
Abstract: “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music.
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