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Minore, G. (2020). Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 28–45). Chicago: University of Chicago Press.
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Pisano, J. I. (2020). Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 58–71). Chicago: University of Chicago Press.
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Scaricaciottoli, E. (2020). Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 84–99). Chicago: University of Chicago Press.
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Scarrone, L. (2020). Genre Violence: Argentinean Heavy Metal in the Music Market. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 16–27). Chicago: University of Chicago Press.
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Torreiro, G. (2020). Heavy Metal as a Subculture in Argentina: Identity and Resistance. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 2–15). Chicago: University of Chicago Press.
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