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Andrews, B., & Bennett, P. (2015). No direction home: ‘The Home of Metal’ and unreconstructed and unaccommodated man. Metal Music Studies, 1(2), 197–210.
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Anttonen, S. (2016). ‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media. Metal Music Studies, 2(1), 39–56.
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Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
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Bardine, B., & Clinton, E. (2016). Metal and Cultural Impact. Metal Music Studies, 2(3), 259–262.
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Barnett, B. A. (2017). Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives. Metal Music Studies, 3(1), 81–96.
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Barratt-Peacock, R. (2022). Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour. Metal Music Studies, 8(3), 293–308.
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Barratt-Peacock, R. (2019). The Villon that Never Was. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 157–170). London: Emerald.
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Barratt-Peacock, R., Hagen, R., & Gardenour Walter, B. S. (2019). Finding the Past in the Present and the Present in the Past. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 137–144). London: Emerald.
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Belén Calvo, M. (2018). Indigenista perspectives in Argentine metal music. Metal Music Studies, 4(1), 155–163.
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Berkers, P., & Schaap, J. (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1(3), 303–318.
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