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Garza, J. M. (2021). Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music. Music Theory Online, 27(1), n.p.
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Hannan, C. C. (2022). Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”. Music Theory Online, 28(1), s.p.
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Hudson, S. S. (2021). Compound AABA Form and Style Distinction in Heavy Metal. Music Theory Online, 27(1), n.p.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Lucas, O. R. (2018). “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen. Music Theory Online, 24(3).
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McCandless, G. R. (2013). Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater. Music Theory Online, 19(2).
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