|
|
(1999). Heavy metal. New York Peter Bedrick.
|
|
|
|
.
|
|
|
|
Abad, L. Á., & Álvarez Lluch, C. M. (2000). Metal XXI & Beyond. València: Avantpress.
|
|
|
|
Abarza Baumann, M. (2011). Historia & concepto del black metal. Llinars del Vallès: Quarentena.
|
|
|
|
Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
|
|
|
|
Abbott, H., & Ardrey, C. (2018). ”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music. Esprit Créateur; Baltimore, 58(1), 130–143.
|
|
|
|
Aberback, B. (2011). Black Sabbath: pioneers of heavy metal. Berkeley Heights, NJ: Enslow.
|
|
|
|
Ables, M. (2016). Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 99–108). New York & London: Routledge.
|
|
|
|
Abraham, I. (2015). Innovation And Standardization In Christian Metalcore: The Cultural Influences Of Church And Market. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 465–473). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
|
Absentology. (2017). Summoning the black flame. Trepaneringsritualen's music and absolute emptiness. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 148–159). St. Louis: Void Front Press.
|
|
