|
|
Alvsvåg, M. (1993). Satan-rock? : destruktive element i tungrocken med særlig vekt på satanisme. Ph.D. thesis, Det Teologiske Menighetsfakultetet, Oslo.
|
|
|
|
Ambrose, J. (2001). Moshpit : the violent world of mosh pit culture. London: Omnibus.
|
|
|
|
Anastasiadis, M., & Kleiner, M. S. (2011). Politik der Härte! Bausteine einer Popkulturgeschichte des politischen Heavy Metal. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 393–410). Münster: Lit.
|
|
|
|
Anders, M. (2014). Intertextualität in Heavy Metal Songtexten. München: GRIN Verlag GmbH.
|
|
|
|
Andrada, L. (2013). ”We who are not as others”: Análise das noções de violência no mosh a partir do heavy metal. Ph.D. thesis, Universidade Federal de Minas Gerais, Belo Horizonte.
|
|
|
|
Andrew Klein. (2018). Blood, Frets and Tears.
Abstract: “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video).
Keywords: Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X
|
|
|
|
Andrew, L., & Panayiotis, L. (2009). Audio recording of rock/metal music using personal computers. Journal of Communication and Computer, 6(3), 28–34.
|
|
|
|
Andrews, B., & Bennett, P. (2015). No direction home: ‘The Home of Metal’ and unreconstructed and unaccommodated man. Metal Music Studies, 1(2), 197–210.
|
|
|
|
Anesiadis, A., & Scarpelos, Y. (2023). Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands. Port Townsend: Feral House.
|
|
|
|
Angeler, D. (2017). Heavy Metal Music Meets Complexity and Sustainability Science. SpringerPlus, 5, 1–20.
|
|
